Both because I work largely from different materials each time, and I’ve yet to make the same instrument twice, every build is a little different - but there are common techniques I use across builds. What’s outlined in this post is the making of a single solid body, 27”scale, 4 string guitar, which was made to someone else’s specs. you can see and hear the finished product here The Neck. I always start with the neck. In this case the first step was using a router sled and a plane to grade down and level a piece of mahogany for the fingerboard. This is then slotted for the eventual frets. A very careful job. The neck blank is then cut, planed and squared. In this case the wood is pitch pine from part of and old bench the the fretboard is resting on. The single most difficult cut in the whole guitar making process is the 13degree angle for the scarf joint. Should the saw wander by more that a mm or so over length of cut you have firewood. This time it came out well and ...
Back sides are mahogany, top is englemann spruce. Neck & blocks makore, bracing spruce. Fingerboard is rosewood, position markers are old string ball ends, and side markers beech. Bone nut and bridge saddle. Bridge is walnut and mahogany, and is pinned with two small screws. 23” scale, tuned cgda. Roswell Alnico Minihumbucker, wired with volume and tone controls. A push pull gives a bass cut for a brighter, more bridge like tone. Mahogany pickup ring and pickguard Finished in blue tinted shellac
Body: reclaimed mahogany windowboards Neck: Irish maple fingerboard: Paduak Electrics: 2x Epiphone FB pickups, wired with coil split, master volume, hi cut and low cut steel and makore bridge, bone nut wilkinson tuners finished in ruby and red tinted shellac video
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