27” scale, tuned cgda Sapele back, top and sides. Salvage makore neck. Cherry neck and back blocks, spruce bracing Padauk fingerboard. Bone nut and bridge. Tortoiseshell binding on top and back. Epiphone firebird pickups, wired with coil split Passive treble and bass controls Finished in button shellac with top tinted
Based on the hardanger fiddle idea, tuned GDAE with 4 sympathetic strings running under the fretboard. Inspired by a conversation with someone who bought one of my other builds! Top and bottom are spruce and mahogany salvaged from an old gramophone and graded down. Neck is from an old teak window board. Walnut fretboard, bridges are gramophone mahogany, bone nut. Basic piezo pickup system mounted internally. White binding Finished with button shellac - very traditional golden brown colour. Resonance effect ranges to a light reverb acoustically, to a more significant drone when amplified (this is in part due to overall output being higher, and in part pickup placement).
You can see the making of this guitar in the ‘ anatomy of a build post ’ Single piece reclaimed pitch pine body from a Victorian hospital bench. Neck from same material. 27” scale, tuned low cgda Finger board and pickguard made from mahogany from a 1910s gramaphone case. Finished in tinted button shellac on body, and button shellac on neck. Single coil mustang style Alnico 5 pickups, hardtail strat bridge, bone nut. Wired with bass and treble cut and series/parallel switching
Comments
Post a Comment