Salvage cherry wood neck, body and pickguard, Gramaphone Mahogany fretboard 25.5” scale. Humbucker in bridge with p90 at neck. Wired with treble and bass but with coil split on the bridge. Medium frets Additional fret in 7 positions allow the playing of quater notes, used in non-western music. Finished in button and green tinted shellac
Based on the hardanger fiddle idea, tuned GDAE with 4 sympathetic strings running under the fretboard. Inspired by a conversation with someone who bought one of my other builds! Top and bottom are spruce and mahogany salvaged from an old gramophone and graded down. Neck is from an old teak window board. Walnut fretboard, bridges are gramophone mahogany, bone nut. Basic piezo pickup system mounted internally. White binding Finished with button shellac - very traditional golden brown colour. Resonance effect ranges to a light reverb acoustically, to a more significant drone when amplified (this is in part due to overall output being higher, and in part pickup placement).
27” scale, tuned cgda Sapele back, top and sides. Salvage makore neck. Cherry neck and back blocks, spruce bracing Padauk fingerboard. Bone nut and bridge. Tortoiseshell binding on top and back. Epiphone firebird pickups, wired with coil split Passive treble and bass controls Finished in button shellac with top tinted
Comments
Post a Comment