Both because I work largely from different materials each time, and I’ve yet to make the same instrument twice, every build is a little different - but there are common techniques I use across builds. What’s outlined in this post is the making of a single solid body, 27”scale, 4 string guitar, which was made to someone else’s specs. you can see and hear the finished product here The Neck. I always start with the neck. In this case the first step was using a router sled and a plane to grade down and level a piece of mahogany for the fingerboard. This is then slotted for the eventual frets. A very careful job. The neck blank is then cut, planed and squared. In this case the wood is pitch pine from part of and old bench the the fretboard is resting on. The single most difficult cut in the whole guitar making process is the 13degree angle for the scarf joint. Should the saw wander by more that a mm or so over length of cut you have firewood. This time it came out well and ...
Body: reclaimed mahogany windowboards Neck: Irish maple fingerboard: Paduak Electrics: 2x Epiphone FB pickups, wired with coil split, master volume, hi cut and low cut steel and makore bridge, bone nut wilkinson tuners finished in ruby and red tinted shellac video
Based on the hardanger fiddle idea, tuned GDAE with 4 sympathetic strings running under the fretboard. Inspired by a conversation with someone who bought one of my other builds! Top and bottom are spruce and mahogany salvaged from an old gramophone and graded down. Neck is from an old teak window board. Walnut fretboard, bridges are gramophone mahogany, bone nut. Basic piezo pickup system mounted internally. White binding Finished with button shellac - very traditional golden brown colour. Resonance effect ranges to a light reverb acoustically, to a more significant drone when amplified (this is in part due to overall output being higher, and in part pickup placement).
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